Basically writing about a piece of media that has been adapted into something else, so I’m choosing to write about “The Little Mermaid” original cartoon version vs. its live-action adaptation. Perhaps write about the comparison in plots, if it’s changed in any way, how the characters between the two films are either the same or different from one another, both appearance-wise and personality wise. Maybe even include the controversy about the casting of the live-action movie where they were trying to be more diverse and chose a person of color as Ariel. Try to push beyond the idea that an adaptation has to be faithful to the original source material and instead focus on how the film adapts or enhances elements from the source for good or for bad.
Author: admin
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Title: “Navigating IT Challenges: A Case Study Analysis and Recommendations for Effective Change Management”
Find a IT Business Problem, it must be related to INFORMATION TECHNOLOGY
This project involves students analyzing a real-world business problem. The business problem could be in the form of a case study or a short
video discussing a specific IT-related problem relating to an
organization. You will critically analyze the case study/video,
summarize the key ideas, discuss the IT challenges, and present your
recommendations.
This report will be organized as follows:
Introduction – Short summary of the business problem. This section will also include a background of the organization.
Challenges – Provide a brief description of the challenges that the
organization is facing and how they are planning to address them. This
section will provide the audience with a picture of how the organization
is planning to address some of the challenges.
Change Management – Discuss how change is being managed by the organization.
Recommendations – Discuss what you would have done differently and why.
Conclusions – Discuss the lessons learned and the key messages that you would like the audience to take away. -
“Assessment for Module 11: Analyzing Student Progress and Feedback”
The a-s-s-e-s-s-m-e-n-t will
Module 11
Please see the questions shown in the screenshot. I will send you all the info after being hired, eg PPTs, student access etc. Please send a draft in 12hrs -1 day time, day 2, and day 3 as well. + Will need to draft some questions to ask the teacher and revise base on feedback (Send bk ard in 1 day max) -
The Perpetuation of Racism and Acceptance of Slavery in Modern Society Title: “The Lingering Effects of Slavery: Examining Current Attitudes Towards Race and Ethnicity” In Octavia Butler’s novel Kindred, the main
When Dana returns with Kevin to the present day, she says that she “never realized how easily people could be trained to accept slavery.” How does this reflect current attitudes about race and ethnicity? Use what you learned from 13th (DuVernay) and your own research to support your position. (3 pgs. min.)
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“From Rags to Riches: The Inspiring Story of Jay Z’s Journey to Success”
Find a music artist that has a book for you to write about (such as Jay Z or Beyonce)
Write a 4-5 page (1,500 words) paper that incorporates MLA styled research and citations, following the guidelines found in the Research Paper Rubric. Successful essays should follow any compelling arguments that use descriptive, informative, comparative, or argumentative points of view. Any diagrams, pictures or others supporting data must be cited and included on a separate page before the work cited page. Do not immerse images in the document text. Do write about a person, cultural groups, instruments or any other proper subjects. The topic should be an artist, instrument, or style of music that has sources (books) not just web data. You need at least four different types of sources for proper completion of this paper. -
“Colonial Legacies and Contemporary Inequality: Exploring Resistance in Brazil” Exploring the Power of Language: Alternatives to Commonly Used Words and Proper Citation Guidelines
In this open-book take-home final essay, explore the connections between Brazil’s colonial history and contemporary manifestations of inequality and resistance among various groups, focusing on racial, ethnic, class, and regional dimensions. Choose at least three of the following sources to analyze how the legacies of colonization, slavery, and imperial policies have influenced current social structures and forms of resistance among Afro-Brazilians, indigenous communities, and different socioeconomic classes across various regions: Patricia Pinho’s studies on cultural identity and tourism, Mary Lorena Kenny’s exploration of quilombo communities, de Almeida and Guarnieri’s examination of social mobility, Junge’s analysis of family and political dynamics, Soares and Baines on Indigenous policies under Bolsonaro’s government, and Brune’s observations on the diasporic heritage of Brazilians in New York. Discuss how these contemporary issues of inequality and resistance connect to, or diverge from, the historical contexts of Brazilian colonialism and its aftermath.
There is no expectation that you will cover everything in the works listed above.
Your paper’s introduction should introduce the key themes and objectives of your paper, as well as its organizational structure. Somewhere in the Intro, include a sentence that begins with the (exact) words, “In this essay, I will…”.
You should also have a conclusion, and it should be substantive (not vacuous or superficial). In it, reflect on how the themes discussed resonate with or contrast to your own experiences and observations of social dynamics, inequality, and resistance in your community or personal life.
Paper Norms
1. Use one-inch margins and Times New Roman font (size 12).
2. Your take-home essay should include a cover page with your name, the date, course, instructor’s names, and the following statement:
All of the writing in this paper is my own original work, except where formal citations have been used.
Signed: [Type Your Name]
3. Number your pages. (The cover page doesn’t get a number; begin numbering on the first page of text; on Word, click the “Insert” menu, then “insert page number,” un-select the “show # on first page” option; and then click “format” and set the first page as “0.”)
4. Include a “Works Cited” section at the end of the essay; see “Citations Guidelines” section below.
5. For citations, you are free to use whatever style you choose – but you must be consistent throughout the paper. If you need a style, use the one provided at the end of this document.
6. Proofread carefully—there should be no spelling or obvious punctuation errors. (This is important.)
Notes on Style
1. Use section titles to label the various components of your paper.
2. Be precise (specific) and concise (to the point) in your writing.
3. When you are writing about the work of scholars we engage in this course, avoid imprecise and colloquial terms such as “says,” “talks about,” and “believes.” (For example, “Marx believes that class conflict shapes the contours of society.”) Instead, use scholarly terms such as “argues,” “proposes,” and “postulates.”
4. Review the difference between “its” and “it’s”: “It’s” should only be used as a replacement for “it is” (for example, “It’s not fair.”) An apostrophe is not appropriate in other usages (for example, “Its causes are uncertain.”)
5. Review the difference between their, there, and they’re. There states a place of being; Their references a form of ownership; They’re is a contraction meaning, “they are”.
6. Do not refer to academic texts or ethnographic monographs as “novels.”
7. Avoid empty verbiage! No need to tell me that a theory or theorist is “famous”.
8. Avoid overreliance on long quotes.
9. Avoid space-filling biographical background.
10. For this paper, the following words and expressions are “off limits”:
a. modern-day (alternatives: contemporary, current, recent, etc.)
b. huge, major, awesome (alternatives: substantial, significant, notable, etc.)
c. famous (alternatives: none! No need to tell me someone was famous)
d. talk about, said, believes (alternatives: asserted, proposed, discussed, considered)
Citation Guidelines
In this essay, you should cite readings from the course and include a list of cited works at the end, for example:
In addressing gender roles in Samoan society, Mead felt ethnography to be “crucial to the core” (Mead, 1934:345).
[End of Paper]
Works Cited
Mead, Margaret (1934) Coming of Age in Samoa, New York: Westview Press
To cite a narrated slideshow presentation, put “(Narrated Slideshow, [SEGMENT X.X])”—where you replace “X.X” with the segment info—in the text and include an entry in the “Works Cited” section at the end.
REMEMBER: No extensions are possible f -
“Exploring the Intersection of Sport and Diversity: My Interest in Sport and Exercise Psychology and Goals for Attending the AASP Conference” Dear AASP Conference Committee, I am writing to express my strong interest in attending the upcoming Association for Applied Sport Psychology
Letter of interest that addresses applicant’s interest in sport and exercise psychology, the importance of addressing diversity in sport and exercise psychology, and goals for attending the Association for Applied Sport PSychology (AASP) conference.
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“Defending Justice: An Apology for Bold Actions Against Community Norms”
Dig, if you will, a picture:
Sometime in the future, you are moved to act against a serious problem in your community.
Your actions boldly defy the opinions, norms, or even laws of your community.
You are accused of injustice — of being an enemy of your community and its values.
Refusing to apologize for your dedication to truth and justice, you offer an “Apology.”
You draw on readings from your Power & Justice course to make your case.
For this paper, you will defend yourself against this (imaginary) charge of injustice. To prepare, you will need to decide (1) what the problem was, (2) what your actions were, (3) why you took those actions, (4) how they ran afoul of your community, & (5) what your defense will be.
Perhaps you are a corrupter of the youth like Socrates; perhaps you brazenly refused to follow an unjust order like Antigone; perhaps you persisted in speaking the truth against public pressure like Dr. Stockmann; perhaps you engaged in political revolution like Gandhi; perhaps you broke an unjust law to move the consciences of your contemporaries like King; or maybe it’s something else entirely.
Whether you have broken a law, defied an acknowledged norm, or simply found yourself on the wrong side of an aggrieved majority, your job in this paper is to defend your actions against the accusation that you are somehow an enemy of all that is just and good and decent.
Please note:
You are not innocent or falsely accused—you should dispute the meaning of your actions (i.e. whether they were unjust) rather than the facts of the accusation (i.e. what you did).
Your focus must be on your own community (whatever that may be). This community may be as large as a country or as small as a family or group friends, but it should be one of which you understand yourself to be, and would like to continue to be, a member. In other words: don’t write about upsetting people you already don’t respect or care about; the object is not to antagonize your enemies, but to challenge your friends.
It should be clear to a reader of your paper what audience you are addressing, what you have been accused of, who your accusers are, what your actions were, what reasons you had for taking those actions, and why your audience should change their minds and declare you an agent of justice rather than injustice. Your defense should draw explicitly on one or more course texts to help justify your actions. You may also choose to model your paper on one of the course texts, or you may employ a form of your own design. I encourage you to be as creative as possible.
Your paper should involve serious and substantive engagement with the texts, which means direct quotes that you interpret and analyze carefully. I’m expecting your papers to be somewhere around 5 pages, which can vary depending on the form it takes.
The sources that you will be using are Plato, the apology; Alexis de Tocquiville, Democracy in America; Thomas Hobbes, Leviathan. -
Title: The Importance of Interpersonal Skills for Effective Management: Strategies for Improvement Table of Contents I. Abstract II. Keywords III. Introduction IV. Definitions and Understandings V. Significance of Researcher VI.
Please write an essay for the below subject:
What are the interpersonal skills of a manager? What is the importance of interpersonal skills of a manager? How can interpersonal skills be improved?
essay should be minimum of 3 – 4 pages in APA STYLE, including the below
-Table of content
-Abstract
-Keywords, Significance of researcher, and Study methodology: (to determine if it is descriptive and analytical approach OR Comparison)
-Introduction
-Definitions or understandings
-Methodologies and experiments to improve (Very Important)
-Conclusion
-IN-TEXT CITATIONS
-References APA Style -
Exploring the Impact of FOGO NA ROUPA and Founder Carlos Aceituno on the AfroBrazilian Samba Community in San Francisco Title: FOGO NA ROUPA: Celebrating AfroBrazilian Samba in San Francisco
Please research and respond to the work of SF based AfroBrazilian samba group “FOGO NA ROUPA” and specifically the bio, participation, and intentions of founder Carlos Aceituno. You can look through El Tecolote Archives for any stories about him and FOGO.
Descriptive Section: What is the community / neighborhood where the performance took place? What is the physical description of the site? The atmosphere? Can you tell the make-up of the intended audience or community that the performance connects with?
Analytical Section: What is the performer(s)’s skill level? Were you able to identify any narratives or discourse relating to themes? In your opinion, how successful was the performance in conveying its points to the community? Does the community (or others) respond in any way? How? Can you identify any central challenges and/or obstacles that the performer had to face? Can you identify key components and positive elements?
Critical Section: You must engage other course material: What aspects of the course work, discussions, and readings, including foundational readings and plays, can you relate to these performances?
Material: Amalia Ortiz, Mayda del Valle, Pedro Pietri, Guillermo Gomez Peña
Personal Connection Section: What is your personal relationship to the work these cultural venues do? What do you have in common with the work they do? What is new to you? How were those perceptions changed, or not? What have you learned that you didn’t know before or expect?